AN APPROACH TO ELECTRONIC ORGAN DESIGN.

Abstract

Electronic organ sounds have lacked the warmth and beauty of pipes, as reported by Dr. Harvey Fletcher and others. Also, the electronic instruments do not imitate pipe organs sufficiently in sound and operation so that performing artists may be comfortable with, and artistically challenged by them. Therefore, electronic organ design should begin with analysis of pipe organs. Harmonic analysis was performed on the sound produced by a total of thirty-six organ pipes from five stops. Charts show the average harmonic patterns for each stop and the observed standard deviations. The range of harmonic patterns within each stop was not great enough to destroy its stop identity, although many deviations were aurally detectable. This indicates that each note in a synthetic rank need not, and perhaps should not, have an identical tonal structure. Electronic synthesis of the flute and principal harmonic patterns was approximated through waveshaping and a linear combination of simple waveshapes from octave sources. (Author)

Document Details

Document Type
Technical Report
Publication Date
Apr 01, 1966
Accession Number
AD0635265

Entities

People

  • Donald D. Marler

Organizations

  • University of Missouri

Tags

DTIC Thesaurus Topics

  • Computing-Related Activities
  • Data Science
  • Functional Analysis
  • Harmonic Analysis
  • Identities
  • Information Science
  • Mathematical Analysis
  • Mathematics
  • Standards

Readers

  • Auditory Neuroscience/Auditory Physiology.
  • Electrical Engineering
  • Military History of the United States in the 20th Century.

Technology Areas

  • Microelectronics