The Folds of War: Blake's Meaning of Warfare and Warfare of Meaning

Abstract

This thesis will attempt to elucidate the diverse levels of meaning involved in gaining a full understanding of William Blake's perspectives on warfare. In doing so, the discussion will intend to resolve a fundamental paradox apparent in Blake's mythology: that Blake's poems seem to simultaneously suggest that violent warfare was an acceptable means for revolution, but bloodshed was unacceptable; and that rationalist institutions should be overthrown in favor of artistic imagination, but armed conflict should not facilitate this action. By examining Blake's primary texts--from this early works to the later complex mythologies--along with a variety of Blake scholarship and criticism, this essay will trace the development of Blake's thought and, principally using Blake's idea of a threefold division of existence, discriminate between the three general kinds of meaning he used for war: the corporeal, the mental, and the spiritual. These discriminations will thereby help sort out the apparent paradoxical nature of his use of war. Theses.

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Document Details

Document Type
Technical Report
Publication Date
Jan 01, 1988
Accession Number
ADA197214

Entities

People

  • George M. Luker

Organizations

  • Air Force Institute of Technology

Tags

Communities of Interest

  • Energy and Power Technologies
  • Weapons Technologies

DTIC Thesaurus Topics

  • Chemical Reactions
  • Consciousness
  • Discrimination
  • Human Behavior
  • Humanities
  • Language
  • Marriage
  • Materials
  • Mental Processes
  • New York
  • Personality
  • Political Ideologies
  • Psychological Phenomena And Processes
  • Psychology
  • Revolutions
  • Societies
  • Warfare

Readers

  • Military History of the United States in the 20th Century.
  • Theoretical Analysis.